Kim Jiyeong, nascuta in 1982 – Cho Nam-joo

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Editie: Necartonata

Editura: Humanitas

Autor: Cho Nam-joo

Nr de pagini: 196

Format: 200 x 130

An aparitie: 2021

1 in stock

£9.20

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Aparut in toamna lui 2016, romanul Kim Jiyeong, nascuta in 1982 a fost dublu premiat in Coreea, obtinand in 2017 Premiul “Scriitori de azi” si fiind votat “Cartea anului” de retelele de librarii. A fost ecranizat in 2019, filmul fiind la randul lui un succes de box office. 
Ma gandesc mereu ca Jiyeong trebuie sa existe pe undeva.
Probabil pentru ca seamana extrem de mult cu prietenele mele, cu colegele mai in varsta sau mai tinere si, intr-o buna masura, si cu mine. Pe tot parcursul cartii am zugravit-o pe Jiyeong frustrata si nemultumita, dar n-am avut incotro, caci stiu sigur ca asa a crescut si asa a trait. Poate ca si eu am fost la fel. – Cho Nam-joo
Kim Jiyeong are 33 de ani si o viata normala, un sot iubitor si o fetita adorabila.
Locuieste intr-un apartament modern, intr-un cartier rezidential nou din Seul.
S-a nascut intr-o epoca in care fetele dobandisera dreptul sa mearga la scoala, la facultate, sa aiba o cariera. Ar trebui sa fie fericita. Si totusi, intr-o buna zi, tanara incepe sa se poarte ciudat.
La inceput, sotul crede ca glumeste imitandu-si mama sau fostele colege de facultate. Dar in curand Jiyeong ajunge la psihiatru, iar raceala clinica a consemnarii specialistului ne dezvaluie o drama care nu este doar personala. Ca atatea alte fete, Kim Jiyeong nu ar fi trebuit sa se nasca.
Pentru ca era fata, si-a dezamagit parintii in clipa cand a venit pe lume. Pentru ca era fata, la scoala si la facultate a fost tratata altfel decat colegii sai, exact cum i s-a intamplat dupa absolvire, cand si-a gasit o slujba. Mai tarziu si-a asumat rolul de mama si s-a dedicat copilului, sacrificandu-si cariera. Si atunci, sa fie “nebunia” lui Kim Jiyeong o exprimare exacerbata a ceea ce simt toate celelalte femei?
Cand romanul Kim Jiyeong, nascuta in 1982 a fost publicat in Coreea in 2016, a fost primit ca o chemare culturala la arme. Cartea a fost considerata deopotriva un tratat despre societate si o opera de arta, intocmai ca filmul lui Bong Joon Ho, Parazit, care a starnit dispute aprinse despre discrepantele sociale din Coreea. – New York Times
Weight 260 g

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